Among the extremely rare moments in American films that allude to the bombing of Hiroshima is the climax of Steven Spielberg's “Empire of the Sun” (1987), where a beautiful special effect lights up the sky.
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Yet, the sanguine message of the movie is that America can be trusted to use this new weapon for universal good. Previously, in 1947, MGM had released “The Beginning Or the End”, which dramatised the Manhattan project.Īfter the success of the tests, we see the Enola Gay and her crew drop the bomb, the mushroom cloud, and scenes of the entire city burning - from a vast distance, of course. The film makes the oft-repeated argument that the bombing was justified because it contributed to the ending of the Second World War, yet it seemed more concerned with the effects it had on the pilot's relationship with his wife. During the cold war, MGM produced “Above and Beyond” (1952), based on the experiences of Colonel Paul Tibbets, the pilot of the Enola Gay, the first aircraft to drop an atomic bomb. The only references that American cinema, commercial or otherwise, has made to Hiroshima have been oblique. is the only country ever to have used a nuclear weapon on a civilian population? It cannot be because the subject is too appalling to depict, since many other horrendous happenings have been portrayed graphically in American films.
Is there an element of collective guilt because the U.S.
However, there is one subject it has refused to tackle directly: the bombing of Hiroshima and its consequences.Īs it is now 65 years since the horrific event, the omission seems even more astounding. It has swallowed almost every subject from the trivial to great historical events, and then spewed them up.